Study notes for BEGAE-182 Block 2 Unit 2. Covers polite questions, modal verbs, personal enquiries, telephone etiquette, condolence conversations, dinner talk, procedure enquiries, and listening to fast speech. Free PDF download.
Free study notes by IGNOUNotes.in for BEGAE-182 Block 2 Unit 2 — Making Enquiries / Asking Questions. This unit covers politeness in questions, modal verbs, personal enquiries, telephone etiquette, condolence conversations, dinner talk, enquiries about services and procedures, and listening to fast speech. Complete with model exam answers.
We ask questions every day — to find directions, seek information, understand procedures, or enquire about people. But the way we ask a question can make the difference between getting helpful, friendly answers and getting a cold response or no response at all.
In English, politeness in questions is conveyed mainly through indirect phrasing and modal verbs (could, would, may, might). A direct question like "What is your name?" can feel rude in many contexts. The polite equivalent — "Could I know your name, please?" — shows the same curiosity with respect and warmth. People are more willing to help when they feel respected.
Many people come across as rude in English simply because they translate direct questions from their mother tongue word for word. Understanding how English frames polite questions is essential for professional and social communication.
| Situation | Direct (Potentially Rude) | Indirect (Polite) |
|---|---|---|
| Asking for someone's name | "What's your name?" | "Could I know your name, please?" / "May I know your name?" |
| Confirming identity | "Are you Captain Hagberd?" | "You must be Captain Hagberd." (stated as a conjecture) |
| Missing someone's name | "Say your name again!" | "I'm afraid I didn't catch your name." |
| Asking where someone works | "Where do you work?" | "Did you say you were working in...?" |
| Asking for information | "Tell me about it." | "I'd like to know..." / "Could you tell me..." / "I wonder if you could help me..." |
| Between close friends (acceptable) | "What are you doing, Laxman?" | Direct is fine — directness signals informality and closeness |
The directness of a question depends on the relationship. Husband and wife can ask each other direct questions freely. But with a stranger, an employer, or a customer, indirect forms with modal verbs are always safer and more professional.
Modal verbs like could, would, may, might soften the force of a question and signal respect. They are the main tool for expressing politeness in English questions.
When enquiring about a person — their identity, situation, or wellbeing — we use indirect phrasing to avoid sounding intrusive.
The visitor already knows who this person is — he is at his residence. But instead of asking directly "Are you Captain Hagberd?" he softens it to "You must be Captain Hagberd" — a conjecture, not a demand. The follow-up about the son uses "I believe" instead of a direct question. This shows sensitivity and respect for the other person's feelings.
| Who Is Answering | How to Identify |
|---|---|
| An individual at home | "Jayaram here." / "Jayaram speaking." / "Hello, Mr. Shorey's residence." |
| A business establishment | "Good morning, India Travel Bureau. May I help you?" / "Hello, this is Grindus Bank. How may we help you?" |
| Answering machine (personal) | "Hi, I'm Geeta. Thank you for calling. I'm sorry I'm not able to respond right now. Please leave a message after the beep." |
| Situation | What to Say |
|---|---|
| Not sure if you have the right number | "Hello, is that 2776 5434, please? May I talk to Mr. Madhukar?" |
| Calling a friend (personal) | "Hi Geeta, this is Prakash. I'm here in Pune for a day, and..." |
| Calling a professional | "Hello, may I speak to Mr. Anil Shorey, please? I'm calling from Jaipur. My name is Ravinder." |
| Calling a business (formal) | "Good morning. I'm Madhukar. Could you let me know the fare to...?" |
| Situation | What to Say |
|---|---|
| Person is out of town | "I'm sorry, Mr. Jayaram is out of town this week. Would you like his cell phone number?" |
| Person is in a meeting | "I'm sorry, Mr. Jayaram is in a meeting right now. Would you like to call again after 1 PM?" |
| Person cannot come to the phone | "I'm sorry, Mr. Jayaram cannot come to the phone right now. Would you like to leave a message?" |
| Bad Manner | Why It Is a Problem | Correct Behaviour |
|---|---|---|
| Failing to identify yourself when calling | The receiver has no idea who is calling — feels invasive and unprofessional | Always state your name and purpose at the start |
| Not verifying you have the right number | You waste both your time and the receiver's time | Confirm: "Is that 2776 5434, please?" |
| Speaking unclearly or with food in the mouth | Words are muffled and impossible to understand | Speak clearly; never eat or chew while on the phone |
| Speaking unnecessarily loudly | Disturbs people around you; sounds aggressive to the receiver | Speak in a normal or soft voice — the phone amplifies it well |
| Insisting you have the right person when you haven't | Causes confusion and embarrassment for everyone | Apologise and verify the number first |
The telephone is designed to pick up your voice even at a low volume. Speaking clearly in a normal or soft voice is more effective than shouting. Speaking loudly on a mobile phone in public is considered very bad manners — everyone around you ends up learning your private business.
Enquiring about a bereavement — the death of someone close — requires extreme sensitivity. Direct questions feel harsh and cruel. The key technique is to make statements that invite the person to speak rather than questions that demand answers.
• She starts with empathy: "I can understand how painful it must be."
• She makes statements, not questions: "I heard it was all too sudden." — this invites Vipin to respond but does not demand he answer.
• When she does ask a question ("Was it at home?"), it is gentle and one-word — giving Vipin the option to share as much or as little as he wants.
• She acknowledges the mother's pain — showing she is thinking about the whole family.
• She offers concrete help: "I'll come home with you today." — Presence and action are more comforting than words.
Never ask "How did he die?" or "What went wrong?" directly. Instead, use statements: "I heard it was sudden." / "He was so young." Let the grieving person decide how much to share and at what pace. Silence and physical presence are often more comforting than words.
• "Kids in school?" — not a complete sentence. A question implied by rising intonation. Lee Wan asks two questions in two words — friendly and economical.
• "I suppose it's ten years..." — a statement with question intent. Invites confirmation politely without sounding interrogative.
• Saraf asks a reciprocal question: "Is it the same in Singapore?" — showing genuine interest and balance.
Puneet and Shailesh are close friends, so direct questions are natural here. If Puneet were speaking to a stranger or professional counsellor, he would use: "I was wondering if you could help me with information about studying abroad..." The key phrase "I want to know..." can always be made more polite by adding modal verbs.
When someone explains a process to us step by step, we ask clarifying questions at each stage. This is called active listening. The IGNOU textbook gives the excellent example of Vinita learning how to make a terrarium (a glass-enclosed plant garden) from her friend Sumi.
| Question Type | Example from the Terrarium Dialogue | Purpose |
|---|---|---|
| Opening curiosity | "That's a nice thing. I've never seen anything like it before." | Opens the conversation — invites the expert to explain |
| Clarifying an unfamiliar word | "I've heard of 'aquarium', but a 'terrarium'?" | Asks indirectly what the word means — smart, non-abrupt technique |
| Questioning a contradiction | "The glass container is closed. Don't the plants need air?" | Follows the logic and raises a natural concern |
| Anticipating the next step | "We mix them all up and put them in the container?" | Shows you are following actively — anticipate, then be corrected if wrong |
| Asking about an unknown word | "I'm sorry, but I don't know what peat is." | Polite admission of ignorance — prefaced with "I'm sorry" |
| Closing gracefully | "Thanks, that was very interesting. Next time you come, you'll see a terrarium." | Signals understanding + gratitude + closes naturally |
• Ask questions at each step — don't wait until the end
• When you miss something: "I'm sorry, I didn't follow that — could you explain?"
• Anticipate steps ("So we mix them all together?") — it shows you're following
• When you don't know a word: "I'm sorry, I don't know what [word] means."
• Close with thanks and a forward-looking comment
Informal spoken English sounds very different from written English. Words run together, sounds are dropped, and the pace is much faster. Understanding natural English requires practice with specific patterns of fast speech.
Written: Mrs. Gandhi went to Parliament at once.
Spoken fast: "ms Gandhwentu Parlimnatwuns"
This is not careless speech — it is natural, fast spoken English. Words run together and unstressed sounds disappear. The listener uses context and language knowledge to fill in the gaps.
| Feature of Fast Speech | What Happens | Example |
|---|---|---|
| Words run together | End of one word blends into start of the next | "went to Parliament" becomes "wentu Parlimnat" |
| Unstressed sounds dropped | Function words become very weak or disappear | "at once" spoken as "atwuns" — very compressed |
| Content words stressed | Nouns, verbs, adjectives are spoken loudly and clearly | In "She THINKS they're WRONG" — THINKS and WRONG are stressed |
| Function words unstressed | Prepositions, auxiliaries, conjunctions are very soft | "to", "the", "and", "was" — barely audible in fast speech |
| Hesitation markers | Speakers use "er", "um", "uh" while thinking | "Because I THINK — er — very STRONG — er — CULtural..." |
A speaker said "My friend Shanthi..." but the listener heard "Your French aunty!" — because the speaker's pronunciation was slightly unclear and the listener's brain filled in the closest match it knew. Linguist Victoria Fromkin called these "slips of the ear" — they happen to everyone, even native speakers.
• Start with news headlines — content is predictable, so easier to follow
• Listen to sports commentary — familiar terms help you guess uncertain words
• Weather bulletins are easy for beginners — language is repetitive and simple
• Listen to short stretches (30 seconds) and replay multiple times — build gradually
• After a week of daily listening to the same speaker, comprehension noticeably improves
• Don't panic when you miss words — let your language knowledge fill the gap
2-mark → 40–60 words | 4-mark → 100–150 words | 6-mark → 200–280 words
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